Marina Maxwell
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I read and review both historical fiction and non-fiction, but also enjoy biographies, crime and some contemporary fiction.
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Please note that unless stated that I have received these books directly from the publisher or author in exchange for an honest review, I either purchase my own copies or source them from my local library service. 

​Links to Amazon, Booktopia, Dymocks or other booksellers are only for the reader's reference.

My reviews for Historical Novels Review can be found online here
My Goodreads reviews can be found here.

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The Photographer of the Lost *

30/8/2022

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There are numerous novels that have attempted to make sense of the experience of World War I, but only a rare few have succeeded. This one delves into both the War but also its aftermath in France as reconstruction and recovery clashes with bitter memory and grief.

Harry is an ex-soldier and photographer hired to take photos in the war cemeteries for English families who want some tangible image of their dead loved one - a grave-marker or scene associated with their war service. His sister-in-law, Edie, has received in the mail a photograph of her missing husband, Francis, without any explanation. She becomes convinced he must still be alive. Individually, Harry and Edie travel through the destroyed landscape and cemeteries in the hope they will find evidence of Francis. In the process, they meet others on similar quests as they struggle to resolve questions about the War and their own relationship issues. 

There are aspects of this novel that are beautifully written, intensely moving and resonate accurately the enormous loss and heartache suffered, that show the devastated landscape and the shocking effects of what would now be described as untreated PTSD. Some of the best passages contain the succinct black humour of men marching towards certain death. 

Yet at the same time the novel is irksome with repetitive thought processes and over-indulgent contemplation on the self that reflects 21st Century attitudes rather than those of the stoic early 20th Century. Also, the increasingly annoying fad in current literature for a disruptive time-line and switches in tenses just ends up an unnecessary distraction.

Initially captured by the premise of this novel – how people handle the aftermath of war - I had hoped to love it but I’m afraid it disappointed me, due in no small part to its wavering construction.  

(*  The book was published as “The Poppy Wife” in America. I have no idea why, as this is primarily Harry’s story and the original British title and cover have a poetic quality that conveys the symbolism so much better.)


Three stars


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