Several years ago, I wrote a short story about Charles Dickens and the invention of his famous novel, A Christmas Carol, loosely based on a legendary tombstone in an Edinburgh graveyard.

Since then, other authors have climbed on that same bandwagon and given their own versions. There was a book, then the film The Man Who Invented Christmas, which I have neither read nor seen, and then there is this one, Mr Dickens and his Carol by Samantha Silva.

Dickens is going through a difficult period in his career. His latest novel, Martin Chuzzlewit, has failed (mainly due to disfavour in America) and his publishers are threatening to have him pay them unless he comes out with another sure-fire winner in time for the Christmas trade.

He has numerous other mounting debts and his home life is also somewhat in disarray and, soon after giving birth to their sixth child, his wife Catherine decamps with their other children to her family in Scotland.

Wandering the night-time streets of his beloved London, Dickens struggles with ideas and the looming deadline. In the process, he encounters a young woman in a purple cape, Eleanor Lovejoy, who appears to be an actress. As their paths mysteriously cross time and again, he becomes entranced by her. Their meeting and her influence on him are pivotal to the plot which is only revealed towards the end of the book.

Packed to the brim with the sights, sounds and smells of mid-19th Century London that reflect much of the florid descriptions in Dickens' own work, this is an entertaining and often humorous read, with colourful characters, both real and imagined, from Dickens' life. The cornucopia of description can be just too much in places with perhaps the creation of the novel itself taking second place, but there is joy in this tale and it is a love letter from the author to the man himself. As she says: "I know you were a flawed man who had a heart as big as the world. That you saw Christmas as a time to reconnect with our humanity and revel in even our smallest blessings."

In spite of its few flaws, this is a tale to be read it in the spirit of Christmas and how to seek goodness in the world.


Four stars

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​This is a grand saga based on a real dynasty who became the powerhouse of Sicily over a period of seventy years from the late 18th century through to the 1860s.

Losing everything in an earthquake, the poor Florio family leave Bagnara in Calabria for Palermo where they struggle against huge odds to rebuild their lives with new enterprises that begin with the sale of spices and medicines and over time will extend to shipping and manufacturing. We can also thank the Florios for things like Italian canned tuna in oil and Marsala wine.

Initially, there are two brothers as partners and when Paolo dies, Ignazio Florio takes the helm. Paolo’s only son, Vincenzo, will inherit the business and for the majority of the book is the main character in a series of public successes and set-backs, political machinations and private passions. Vincenzo’s mother, Giuseppina, is the grand matriarch. She is possessive and angry with her position in life and struggles with conflicted feelings for her late husband’s brother, Ignazio.

Vincenzo, in turn, becomes a determinedly rigid character who is obsessed with rising above the derision and scorn of his business rivals and often treats the love of his life, Giulia, with callous disregard. He carries these same emotions towards his daughters, while his son, also called Ignazio, can do no wrong.

Novels in translation can be tricky and this one has an uneven present-tense construction that may have flowed much better in past tense. Although there are some explanatory passages throughout, there are swathes of politics and history that may be puzzling and unfamiliar to non-Italians, including the many failed rebellions against the rule of the Bourbons. There are also brief or random inclusions of lesser characters who are never fleshed out. The business dealings are described in ways that turn the narrative flat and uninspiring for pages at a time. Yet the personal relationships, especially the emotional conflicts between Giulia and Vincenzo, can quickly bring it back into sharp focus.

Although this took me quite some time to finish, I was glad to have done so, and I was left with great sympathy for the females of the Florio family who are traded like commodities. With judicious tweaking and editing, this might make a good mini-series.

Although this story ends in the 1860s, the Florios continued to make their mark. (It is not known if the author plans a sequel.) Follow this link to more information on the later years of the real Florio family – The Uncrowned Rulers of Sicily.
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Three-and-a-half stars

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Kitty Talbot is the eldest of five sisters whose country home is in danger of being sold and her family broken up following the death of her parents who left behind massive debts. She’s pragmatic and decides the only course of action is to find herself a rich husband, and soon. To this end, she travels to London where she begins her quest.
 
Here are all the stock characters and basic plot of a Jane Austen or Georgette Heyer novel, i.e. wife and/or husband hunting in the parlours and ball-rooms of the London “ton” – or high society.
 
Kitty is a lively individual and her wit and banter with the men she sets her cap at are quite fun. Her younger, better-educated sister Cecily is a more serious foil. Aunt Dorothy has secret reasons to hide behind her fan at functions where certain gentlemen might recognise her and the somewhat reclusive Waterloo veteran Lord Radcliffe displays all his jaded and cynical dark-handsome-hero style with aplomb. Supporting the principal players is the usual cast or snobbish upper-crust mothers, cads and bumbling or sleazy suitors, plus assorted shrinking violets and jealous debs.
 
For the most part, the narrative kicks along at a good pace, but sags somewhat in the middle. Knowing from the outset how the story must end, it may require a bit of stamina to keep going and at least things do pick up in the last third of the book.
 
This is a lightweight, entertaining yarn that has a certain amount of charm. It is likely to appeal to fans of fluffy Regency-era fiction but it's not for those who prefer their history with more truth or grit.
 
Three stars
 
 
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