Marina Maxwell
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I read and review both historical fiction and non-fiction, but also enjoy biographies, crime and some contemporary fiction.
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Please note that unless stated that I have received these books directly from the publisher or author in exchange for an honest review, I either purchase my own copies or source them from my local library service. 

​Links to Amazon, Book Depository or Dymocks Australia are only for the reader's reference.
(Due to some poor experiences recently with Booktopia, from 2023 I will no longer link to them.)

My reviews for Historical Novels Review, the magazine of the Historical Novel Society, can be found online here
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I Have Something to Tell You

30/1/2022

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I have something to tell you … about a book that contains 56 chapters in which there are around 160 instances of ‘I’m sorry’, i.e. an average of three times per chapter, some of which are barely a few pages. (Found via e-book search function.)

All these sorry expressions pretty much sum up this novel.. Over-written and overwrought with two plotlines that trample over each other, I only persisted to the end to find out what the final twist was. Interestingly enough it involves an innocent dog.

Jess (Jay) Wells is a high-flying Bristol solicitor who takes on the case of architect Edward Blake who's been arrested after he comes home to find his wife Vanessa has been murdered in a guest bedroom.

The police are convinced Blake is guilty although he swears innocence. Doubts soon creep in and Jay is sure he didn’t do it. As other evidence about a tragedy in the couple’s past and Vanessa’s sordid extramarital activities come to light, the case against Blake becomes less certain.

Parallel to this, Jay is having her own relationship issues. She suspects her husband, fellow lawyer, Tom, has revived a previous affair with a younger woman and a new discovery will send her into a tailspin.

Blake’s character is perhaps the most interesting, as are his honest motivations, which are reinforced by the ending. Most of the other family members and friends are shallow English ‘Midsomer Murders’ county types, boozing, bed-hopping and with few redeeming qualities.

Tom is guilty of most of the grovelling ‘sorry’ dialogue to the point where it becomes meaningless. Jay’s behaviour in her dealings with Blake are affected by her personal problems and, although this is fiction, it is this type of writing that persists with the idea that women lawyers are vulnerable to their emotions and unable to stick to professional ethics and standards. It is for this reason my early admiration for Jay really waned by the end of the book.

The criminal case would have been a good story on its own. The author’s end notes say that it is based on a real case and perhaps another writer could have made better mileage out of it.
 
Two stars
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