Marina Maxwell
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I read and review both historical fiction and non-fiction, but also enjoy biographies, crime and some contemporary fiction.
​ 

Please note that unless stated that I have received these books directly from the publisher or author in exchange for an honest review, I either purchase my own copies or source them from my local library service. 

​Links to Amazon, Book Depository or Dymocks Australia are only for the reader's reference.
(Due to some poor experiences recently with Booktopia, from 2023 I will no longer link to them.)

My reviews for Historical Novels Review, the magazine of the Historical Novel Society, can be found online here
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Homecoming

10/11/2022

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This story primarily revolves around three Australian women in the year 2018. There is Jess, a journalist who has lived in London for many years and only returns to Sydney when her grandmother, Nora, has a fall and is hospitalised. Jess’s mother is Polly, who lives a more reclusive and modest lifestyle in Brisbane and has been estranged from both Nora and Jess for some years. Nora is wealthy enough to have given Jess a privileged upbringing and education in Sydney. It is only when Nora dies that mother and daughter will be forced back together.

Jess meanwhile has uncovered details of a family tragedy involving Nora’s sister-in-law Isabel that took place in South Australia on Christmas Eve, 1959, and her investigations leave her with questions about Nora and why she never told her about what happened.

The dominating and assertive Nora is not particularly likeable and it is hardly surprising that the diffident, anxious Polly needed to escape her control. Jess’s character has her grandmother’s self-confidence and while she has fond childhood memories of being with her mother, she struggles to restore their relationship.

There is a lavish cast of secondary characters, some of whom are vital to the plot but many others who are fleeting and superfluous. The astute reader will no doubt pick up on some clues early on that may explain Nora’s behaviour and what might really have happened to Isabel and her children.

As with Kate Morton's other books, this is an effusive novel and if you prefer a tighter or fast-paced narrative you may get impatient with the excessive flowery descriptions and exposition. The plot takes many twists and turns and there is a major contrivance that borders on the implausible. There are also some minor anachronisms, especially as regards terminology in use in 1959. (My review copy being an uncorrected proof, these should be picked up in final editing.)

It also comes with a warning: if you’re easily distraught over stories of children dying in suspected family murder-suicides, then best give it a miss.

With many thanks to Edelweiss for the ARC.

Two-and-a-half stars.
 
(Publishing in April, 2023. Note there are various covers.)


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